Thursday, November 11, 2010

Glee Music and Choreography



The series features numerous song covers sung onscreen by the characters. Murphy is responsible for selecting all of the songs used, and strives to maintain a balance between show tunes and chart hits, as: "I want there to be something for everybody in every episode. That's a tricky mix, but that's very important — the balancing of that." Song choices are integral to script development, with Murphy explaining: "Each episode has a theme at its core. After I write the script, I will choose songs that help to move the story along."

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Murphy was surprised at the ease with which use of songs was approved by the record labels approached, and explained: "I think the key to it is they loved the tone of it. They loved that this show was about optimism and young kids, for the most part, reinterpreting their classics for a new audience." A minority of those approached refused to allow their music to be used, including Bryan Adams and Coldplay, however in June 2010, Coldplay reversed their decision, allowing Glee the rights to their catalog. and Adams posted on his official Twitter account that the producers of Glee had never requested permission from him and urged them to "pick up the phone". Composer and musician Billy Joel offered many of his songs for use on the show, and other artists have offered use of their songs for free. A series of Glee soundtrack albums have been released through Columbia Records. Songs featured on the show are available for digital download through iTunes up to two weeks before new episodes air, and through other digital outlets and mobile carriers a week later.

Glee is choreographed by Zach Woodlee, and assistant choreographer Kristine Spurney and features five to eight production numbers per episode. Once Murphy selects a song, rights are cleared with its publishers by music supervisor P. J. Bloom, and music producer Adam Anders rearranges it for the Glee cast. Numbers are pre-recorded by the cast, while Woodlee constructs the accompanying dance moves, which are then taught to the cast and filmed. Studio recordings of tracks are then made. The process begins six to eight weeks before each episode is filmed, and can end as late as the day before filming begins. Each episode costs at least $3 million to produce, and can take up to 10 days to film as a result of the elaborate choreography.

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